Adrift in a lush, nocturnal urban landscape, Nick is a postmodern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For writer/director Boltons lonely "tagger" protagonist, the vast wall surfaces of deserted alleys and trainyards are at once adaunting symbol of capitalist oppression and a rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and subversion. His own virtually anonymous existence seemingly only secondary to the painted surfaces which more poignantly evidence his presence, Nicks prodigious solo output of “graffiti” is interrupted by friendship with another young tagger. Their communication begins as less verbal than a kind of shared graphic tour de force; their enormous collaborative graffiti murals appear to emerge as the unmistakable offspring of their kindred spirit. But eventually their assumptions about one another are disproved as political, emoti